Artists: Basel Abbas and Ruanne Abou-Rahme, Jia-Jen Lin, Christopher Meerdo, Naomi Nakazato, and Amina Ross.
Boundary Monuments Dissolve features artists who employ digital-imaging techniques to unearth aesthetic and political turbulence within contested terrains.
Curated by Katherine C. M. Adams
Boundary Monuments Dissolve features artists who employ digital-imaging techniques to unearth aesthetic and political turbulence within contested terrains.
Curated by Katherine C. M. Adams
Filed under:
Group Exhibition, Video Installation
Group Exhibition, Video Installation
In the Sunroom of Wave Hill, Ross’s multisensory environment comprises elements out of reclaimed materials in dialogue with the architecture of the space, markedly, the arched windows, along with video and audio.
The title Wet Excess was inspired by the Ph.D. thesis “Wet Rest: Excess as Liquid Praxis in Art and Curating” by Lucy A. Sames, December 2021.
Two-preson exhibition with Ceylan Öztrük and Amina Ross
Essay by Bea Orlandi
Two-preson exhibition with Ceylan Öztrük and Amina Ross
Essay by Bea Orlandi
split my sides featured works by Lola Ayisha Ogbara and Amina Ross as they consider the spatial relationship between place and interiority.
Seemingly natural and stable, space is imagined, then produced to determine how, when, and where we move. Spatio-temporal hierarchies are built (and protected) to threaten, constrict, and erase. For those of us who are Black, queer, trans, and/or women, our experiences and struggles are intimately connected to the spaces in which we live, "Indeed, black matters are spatial matters."
Curated by Stephanie Koch
Seemingly natural and stable, space is imagined, then produced to determine how, when, and where we move. Spatio-temporal hierarchies are built (and protected) to threaten, constrict, and erase. For those of us who are Black, queer, trans, and/or women, our experiences and struggles are intimately connected to the spaces in which we live, "Indeed, black matters are spatial matters."
Curated by Stephanie Koch
For their solo exhibition at Iceberg Projects, Ross used publicly available footage of Man’s Country’s interior to create a three dimensional animated model of the club’s lounge and performance space, placing themself within the architecture virtually.
Projected onto canted screens crafted from reclaimed lumber, and interacting with other sculptural and sonic elements, this representation of a specific place in time becomes the vehicle for expansive visual-spatial thinking about structures coming undone, manhood, personhood, and belonging.
Curated by John Neff and Rebecca Walz
Projected onto canted screens crafted from reclaimed lumber, and interacting with other sculptural and sonic elements, this representation of a specific place in time becomes the vehicle for expansive visual-spatial thinking about structures coming undone, manhood, personhood, and belonging.
Curated by John Neff and Rebecca Walz
Filed under:
Video Installation, Solo Exhibition
Video Installation, Solo Exhibition
