For their solo exhibition at Iceberg Projects, Ross used publicly available footage of Man’s Country’s interior to create a three dimensional animated model of the club’s lounge and performance space, placing themself within the architecture virtually.
Projected onto canted screens crafted from reclaimed lumber, and interacting with other sculptural and sonic elements, this representation of a specific place in time becomes the vehicle for expansive visual-spatial thinking about structures coming undone, manhood, personhood, and belonging.
Curated by John Neff and Rebecca Walz
Projected onto canted screens crafted from reclaimed lumber, and interacting with other sculptural and sonic elements, this representation of a specific place in time becomes the vehicle for expansive visual-spatial thinking about structures coming undone, manhood, personhood, and belonging.
Curated by John Neff and Rebecca Walz
Filed under:
Video Installation, Solo Exhibition
Video Installation, Solo Exhibition
