Amina Ross

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	<title>Amina Ross</title>
	<link>https://aminaross.info</link>
	<description>Amina Ross</description>
	<pubDate>Mon, 27 Oct 2025 16:37:42 +0000</pubDate>
	<generator>https://aminaross.info</generator>
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	<item>
		<title>Header</title>
				
		<link>https://aminaross.info/Header</link>

		<pubDate>Sun, 15 Oct 2023 13:13:49 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/Header</guid>

		<description>
	AMINA ROSS
selected exhibitions &#38;amp; news
	
	Information, Email
	Instagram︎︎︎
Vimeo︎︎︎


</description>
		
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	<item>
		<title>Hard Ground </title>
				
		<link>https://aminaross.info/Hard-Ground</link>

		<pubDate>Mon, 06 Oct 2025 22:02:53 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/Hard-Ground</guid>

		<description>
	Hard Ground&#38;nbsp;


05–16–24 to 10-14-24&#38;nbsp;

	Hard Ground brings together work by seven New York-based artists who employ processes of erosion, subtraction, and compression. Using an economy of means, the works hold residues of action in tension with a distillation or displacement of matter. Some works amplify density, honing in on a core; in others, reduction unveils the trace of an image. Diverging from a logic of assemblage and juxtaposition, these practices query how correlations between productivity, value, and surface are forged.Artists include Matt Browning, Dora Budor, Jerry the Marble Faun, Amina Ross, Kern Samuel, Glanna Surangkanjanajal, and Mala VMIer 
Organized by Jody Graf


	Filed under:
Group Exhibition
	&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="2400" height="1684" width_o="2400" height_o="1684" data-src="https://freight.cargo.site/t/original/i/b22e6e2e52130f622b704e604b35a8ed6bb9bee972c346c768196ec3619bad44/Copy-of-DSC_1061-2.jpg" data-mid="239088514" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/b22e6e2e52130f622b704e604b35a8ed6bb9bee972c346c768196ec3619bad44/Copy-of-DSC_1061-2.jpg" /&#62;&#60;img width="2400" height="1613" width_o="2400" height_o="1613" data-src="https://freight.cargo.site/t/original/i/93eb4258bf1efe2ac04477a53c20e5891734e8ef9ec9805e2c8afdc8c8911a81/Copy-of-DSC_1052-3.jpg" data-mid="239088513" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/93eb4258bf1efe2ac04477a53c20e5891734e8ef9ec9805e2c8afdc8c8911a81/Copy-of-DSC_1052-3.jpg" /&#62;&#38;nbsp;&#38;nbsp;&#38;nbsp;
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		<title>"If Today Never Gives Up In Me": Amina Ross's Spacious Black Present </title>
				
		<link>https://aminaross.info/If-Today-Never-Gives-Up-In-Me-Amina-Ross-s-Spacious-Black-Present</link>

		<pubDate>Mon, 27 Oct 2025 16:37:42 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/If-Today-Never-Gives-Up-In-Me-Amina-Ross-s-Spacious-Black-Present</guid>

		<description>
	“If Today Never Gives Up In Me”: Amina Ross’s Spacious Black Present
04-01-2024

	Featuring a conversation with the artist, this essay offers a reading of Amina Ross's aesthetic practice across a selection of their work. Alongside Fred Moten's own critique of the overrepresentation of blackness as death-driven, it highlights their ongoing contributions to what they refer to as “black work,” or aesthetic experimentations in making multiple forms of blackness appear and emerge in the present moment. For Ross, the present is not merely a death-driven end but, at once, a rigid structure and a “space of unlimited potential” wherein blackness and black life may be experienced in their multiplicity. Placing objects in unexpected positions and built structures, Ross seeks to widen spectators' sense of their own present and immediate environment. As such, the present is, for them, a space to be, not escaped from, but worked on and reenvisioned in an effort to make a black present possible, livable, and replenishable.
Written by: Kelly I. Chung&#38;nbsp;
Published in ‘liquid blackness,’ Duke University Press.&#38;nbsp;
	Filed under:
Bibliography&#38;nbsp;
	&#38;nbsp;&#38;nbsp;&#38;nbsp;https://doi.org/10.1215/26923874-11005979&#38;nbsp;
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	<item>
		<title>Start with the Flesh </title>
				
		<link>https://aminaross.info/Start-with-the-Flesh</link>

		<pubDate>Thu, 26 Jun 2025 18:19:36 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/Start-with-the-Flesh</guid>

		<description>
	Start with the Flesh&#38;nbsp;


11–09–23 to 01-06-24

	
"Start with the Flesh" introduces new video and glass sculptures that excavate this thematic terrain, unearthing concepts such as fragility, visibility, violence, submission, preservation, insulation, and resistance. The works are defined by a dichotic tension - teasing content from the elusive space between corporeal transience and creative transcendence. Central to the show is a seamlessly looped video that weaves text, sound, and image fragments into a digital tapestry of socio-poetic introspection.&#38;nbsp;

 
"Start with the flesh, reckons with the pounds. The mass. Recall that specificity. This requires naming gravity - the impacts of gravity on your heavy body. In this moment, know no ease. Settle into density."

	Filed under:
&#38;nbsp;Video Installation
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		<title>Boundary Monuments Dissolve </title>
				
		<link>https://aminaross.info/Boundary-Monuments-Dissolve</link>

		<pubDate>Sun, 15 Oct 2023 13:13:50 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/Boundary-Monuments-Dissolve</guid>

		<description>
	Boundary Monuments Dissolve


04–01–23 to 05-08-23

	
Artists: Basel Abbas and Ruanne Abou-Rahme, Jia-Jen Lin, Christopher Meerdo, Naomi Nakazato, and Amina Ross.

Boundary Monuments Dissolve features artists who employ digital-imaging techniques to unearth aesthetic and political turbulence within contested terrains.

Curated by&#38;nbsp;Katherine C. M. Adams
	Filed under:
Group Exhibition, Video Installation
	
&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fe77f75c6f54edd998f0b022c5bdf890135c4739c97b4ea7090bd62db2e643d2/2023_CCSTHESIS_Adams_BoundaryMonumentsDissolve_013.jpg" data-mid="193760766" border="0"  src="https://freight.cargo.site/w/1000/i/fe77f75c6f54edd998f0b022c5bdf890135c4739c97b4ea7090bd62db2e643d2/2023_CCSTHESIS_Adams_BoundaryMonumentsDissolve_013.jpg" /&#62;
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		<title>I am under the rock and the rock is higher than I </title>
				
		<link>https://aminaross.info/I-am-under-the-rock-and-the-rock-is-higher-than-I</link>

		<pubDate>Sun, 15 Oct 2023 13:13:50 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/I-am-under-the-rock-and-the-rock-is-higher-than-I</guid>

		<description>
	I am under the rock and the rock is higher than I 

09–10–22 to 10-23-22 
	
In the Sunroom of Wave Hill, Ross’s multisensory environment comprises elements out of reclaimed materials in dialogue with the architecture of the space, markedly, the arched windows, along with video and audio. &#38;nbsp;
	Filed under:
Solo Exhibition, Video Installation
	
&#60;img width="2880" height="4320" width_o="2880" height_o="4320" data-src="https://freight.cargo.site/t/original/i/97933e6b12e37b103cf090f52a1e766bf2d1fede663b2d7e6d854b21bd58c348/Ross-Amina_Installation-View5_WH_Photo-Stefan-Hagen_9-19-22.jpg" data-mid="193763239" border="0"  src="https://freight.cargo.site/w/1000/i/97933e6b12e37b103cf090f52a1e766bf2d1fede663b2d7e6d854b21bd58c348/Ross-Amina_Installation-View5_WH_Photo-Stefan-Hagen_9-19-22.jpg" /&#62;
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		<title>Wet Excess </title>
				
		<link>https://aminaross.info/Wet-Excess</link>

		<pubDate>Sun, 15 Oct 2023 13:13:51 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/Wet-Excess</guid>

		<description>
	Wet Excess&#38;nbsp;

10–08–22 to 11-27-22

	
The title Wet Excess was inspired by the Ph.D. thesis “Wet Rest: Excess as Liquid Praxis in Art and Curating” by Lucy A. Sames, December 2021.

Two-preson exhibition with&#38;nbsp;Ceylan Öztrük and&#38;nbsp;Amina Ross

Essay by Bea Orlandi
	Filed under:
Two Person Exhibition, Sculpture, Installation
	
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	</item>
		
		
	<item>
		<title>split my sides </title>
				
		<link>https://aminaross.info/split-my-sides</link>

		<pubDate>Sun, 15 Oct 2023 13:13:51 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/split-my-sides</guid>

		<description>
	split my sides&#38;nbsp;

04–09–22 to 07-16-22

	
split my sides featured works by Lola Ayisha Ogbara and Amina Ross as they consider the spatial relationship between place and interiority.&#38;nbsp;

Seemingly natural and stable, space is imagined, then produced to determine how, when, and where we move. Spatio-temporal hierarchies are built (and protected) to threaten, constrict, and erase. For those of us who are Black, queer, trans, and/or women, our experiences and struggles are intimately connected to the spaces in which we live, "Indeed, black matters are spatial matters."
Curated by Stephanie Koch &#38;nbsp;
	Filed under:
Two Person Exhibition, Video Installation
	
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	<item>
		<title>Man's Country</title>
				
		<link>https://aminaross.info/Man-s-Country</link>

		<pubDate>Sun, 15 Oct 2023 13:13:52 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/Man-s-Country</guid>

		<description>
	Man’s Country

10–16–21 to 11-28-21

	
 For their solo exhibition at Iceberg Projects, Ross used publicly available footage of Man’s Country’s interior to create a three dimensional animated model of the club’s lounge and performance space, placing themself within the architecture virtually. 

Projected onto canted screens crafted from reclaimed lumber, and interacting with other sculptural and sonic elements, this representation of a specific place in time becomes the vehicle for expansive visual-spatial thinking about structures coming undone, manhood, personhood, and belonging.


Curated by John Neff and Rebecca Walz 
	Filed under:
Video Installation, Solo Exhibition
	
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</description>
		
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	<item>
		<title>a recollection of dreams</title>
				
		<link>https://aminaross.info/a-recollection-of-dreams</link>

		<pubDate>Sun, 15 Oct 2023 13:13:52 +0000</pubDate>

		<dc:creator>Amina Ross</dc:creator>

		<guid isPermaLink="true">https://aminaross.info/a-recollection-of-dreams</guid>

		<description>
	a recollection of dreams

05–08–21 to 06-12-21

	a recollection of dreams, an experimental exhibition that stages a conversation between artists Amina Ross and dana washington-queen. The exhibition explores dreaming as a sensory experience that can articulate freedom sourced from the ancestral and autobiographical. Through the use of sculpture, video installation, and sound, the artists construct speculative worlds that are rooted in Black queer modalities of healing.

Curated by Zion Douglass&#38;nbsp;
	Filed under:
Two Person Exhibition, Video Installation, Sculpture, Print
	
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